In the present study, I am not reiterating the results of these publications, but rather I build upon them to analyze Skull 88-1 as an art historian by comparing and contrasting it with parallels at ‘Ain Ghazal and elsewhere. Bonogofsky has treated the skeletal aspect of the ‘Ain Ghazal plastered skulls (Bonogofsky 2001). In particular, a thorough analysis of the plaster and manufacture of three ‘Ain Ghazal specimens was performed by Carol A. Vandiver (Kingery, Vandiver, and Prickett 1988 Kingery, Vandiver, and Noy 1992) have investigated the composition of the material. Goren (Goren and Goldberg 1991 Goren and Segal 1995), W.D. Rollefson (Rollefson 1990) has discussed the use of plaster at ‘Ain Ghazal Y. The custom of reconstructing the features of the dead with plaster in the Levantine Neolithic has been the subject of several outstanding works. The discovery was significant because Skull 88-1 offers a striking example of a funerary practice already illustrated at ‘Ain Ghazal and in several other sites in the Levant and Turkey. 6.2.1) (Simmons, Boulton, and Roetzel Butler 1990). Full excavation in 1988 revealed that the skull had a covering of plaster modeled in the form of a remarkably naturalistic face (Fig. While surveying the tell of ‘Ain Ghazal at the end of the 1987 season, members of the expedition spotted fragments of a human skull exposed in the profile of a bulldozer trench in a nearby highway construction site. Key Words: plastered skull, plastered face, funerary ritual, ancestor cult, necromancy Lastly, skull removal and plastering are considered in light of ancient Near Eastern iconography and early historical texts presenting decapitation as an abomination. The dates mentioned in this chapter are expressed as non-calibrated radiocarbon dates, reflected by the use of the lowercase “bc” referent.Ībstract: The chapter analyzes Skull 88-1, the most spectacular plastered skull from ‘Ain Ghazal, placing it in the PPNB plastered skulls tradition by comparing and contrasting it to parallel evidence from ever-larger contexts: (1) the fourteen decapitated heads at ‘Ain Ghazal, including five plain, three painted, and six plastered skulls (2) the assemblages of plastered skulls in seven other Levantine sites including Jericho, Beisamoun, Kfar HaHoresh, Yiftahel, Tell Aswad, Tell Ramad, and one Turkish site, Kösk Höyük. Murals and Floor Paintings at ‘Ain Ghazal.‘Ain Ghazal “Monumental” Figures: A Stylistic Analysis. The Human Clay Figurines And Ancient Near Eastern Magic.‘Ain Ghazal Token Catalogue, by Type and Subtype.Token Finds At Pre-Pottery Neolighic ‘Ain Ghazal, Jordan A Formal And Technological Analysis.Description of When Writing Met Art: From Symbol to Story.Tokens in China, Europe and Africa – The Significance.
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